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Further along, and although the album is far more low-key, ‘I Ain’t Got Time’ still bangs hard, and its heavy bass beat mixed with the stop-start electronic touches brings across another fantastic dark vibe. The genuinely sinister beat that accompanies ‘Who Dat Boy’ works incredibly well into both Tyler and Rocky, particularly at the end of the song as the beat slows right down and Tyler flows freely into line after line. The subtle implementation of electronic elements in the album, in conjunction with a more repressed overall sound, provides more room for Tyler to work as a vocalist, and when he hits, he hits hard. The song is far more reserved than what is expected of Tyler, with some slight guitar chords lulling in the background as the song takes a more electronic turn further into the track. Opener ‘Foreword’ mixes the ideas of both his dealings with his own sexuality and its effect on his fame. The album is far more personal and introspective than his previous efforts, and showcases it through tighter song writing and more focused production. What makes Scum Fuck Flower Boy so fantastic is perfectly conveyed in its title Tyler is still conflicted with his position, his purpose in life. Lonely’, things were looking on the up and up.Īnd it’s so much better than I could have ever expected. And so, with the release of both ‘Who Dat Boy’ and ‘911/Mr. Albums tended to be too long, songs drifted in and out of styles too frequently. Even his biggest hit ‘Yonkers’ was dripping in metaphors and the back and forth of the dark Wolf Haley character he developed over several tracks. All his releases, however expletive filled, conveyed a seemingly emotional teenager who just hit it big and still can’t find happiness. After having listened to him in the last few months, my thoughts haven’t changed, however I have far more respect for both the man and the music. Before I ever listened to his music, I viewed Tyler, The Creator as this abrasive, loud-mouth character who ripped into everything and anything, but used ‘fag’ perhaps a little too often.